Working with an Exercise

I’m working with an exercise that’s new for me, so I thought I’d review how that has evolved.

Until a few years ago, all the inner exercises I knew had been ones Mr. Bennett showed at Sherborne. For years I worked from the notes I took during the course.

Later, I was privileged to be given records that Mick Sutton had made and Mr. Bennett had reviewed. Some even had Mr. B’s scribbles on them.

For many years, that notebook was my bible. I heard Mr. B’s voice in the printed words carrying an energy. They captured nuances I’d missed. But because I had done my own work learning the exercises, I felt his words affected me all the more. As I grew, the exercises deepened. 

Sticking with the Same Exercise

As time went on, I discovered the concept of sticking with the same exercise for months at a time. I think that is when things began to shift in me and I came to understand the concept of “making the work one’s own”. At some point, I no longer had the urge to use Mr. Bennett’s words, but simply spoke what was happening within as I was working with an exercise. Leading a sitting has always been an essential part of my practice. Like putting myself in the front line of a movements class. The best way to learn.

What is new for me now, is working with an exercise from a book rather than having it transmitted in person. Or being shown an exercise that is someone else’s interpretation from a written record. Surprisingly, depending on the situation, something can transmit.

Perhaps it is because the groundwork has been laid and so many channels forged. My recent experience on the movements floor is an example.

Working with a New Exercise

Just as my body knows how to take a gesture and move to a rhythm even if it’s an unfamiliar movement, I know how to approach a new exercise. I know how to drop into a quiet state, direct my attention, take-in the finer elements of the air and use sensation. Building blocks like these are established in me.

When I am in front of an exercise that was not introduced at Sherborne, I find myself recognizing the elements as old friends. In fact, I am currently working with an exercise that is new to me; here’s how:

I start by reading the notes I’ve taken after it’s shown.  Then I see how many of the instructions I can remember as I sit without the notes. I review the notes again afterwards.  With each sitting I remember more and the flow is better. Eventually, the exercise takes hold of me. In time, a nuanced understanding of the exercise enfolds itself into my work.

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